Just because Cal Poly’s roster is small doesn’t mean they have to take a ton of three pointers. On Wednesday night in an ESPN3 game, Cal Poly came out gunning, shooting 54% en route to a 85-71 route of CSUN at the Matadome. Cal Poly led by as many as 30 halfway through the second frame. CSUN’s press helped them make the final respectable, but the Mustangs (3-8 in Big West play) held on for the win. Cal Poly has now beaten each of the top-3 teams in the Big West this season. 

Fields in control

Donovan Fields scored a career-high 23 points in Cal Poly’s win at CSUN on Wednesday. By Owen Main

Sophomore guard Donovan Fields showed a diverse offensive game en route to 23 points on Wednesday to go along with six rebounds and four assists. The 23 points ties him for the second highest point total for a Cal Poly player this year. Fields, who is listed at 5′ 10″, was scoring any way he wanted to: pull up jumpers, floaters, three-pointers, and knifing layups. He and fellow small combo guard Victor Joseph have carried much of the offensive load in conference play for Cal Poly. While they do shoot three-pointers, the Mustang guards are at their best when getting into the lane in positions to finish. Joseph finished with 15 points and five rebounds on the night.

Kuba gets hot

Sophomore forward Kuba Nizioł was supposed to redshirt this season, but after injuries to Josh Martin and Josh Mishler early-on, he volunteered to take his redshirt off and play this season. He has never been shy to shoot open shots, but over the past few weeks, Nizioł has taken steps.

On Wednesday, the Polish national made his first three pointer and missed his second shot shortly after. Many young players might shy away after missing shots, but that hasn’t been Nizioł’s MO.  

Developing post depth

While Cal Poly’s offense generally does not go through the post this season, the center position remains an important one. After losing Martin, Cal Poly has relied on Zach Gordon along with Aleks Abrams and Hank Hollingsworth at the five position. Generally two of the three are in a rotation in a given game, with a third playing just a few minutes. This has seemingly changed game to game. On Wednesday, Hollingsworth got the start and the redshirt freshman showed some growth in terms of mental and physical toughness. 

After getting his shot blocked on Cal Poly’s first offensive possession, Hollingsworth rallied and played a solid defensive game, affecting multiple CSUN shots around the paint. He even threw down a few dunks, including a tip-jam. While Gordon and Abrams have had more time at the position this year, Hollingsworth’s development is a big deal for a team that’s thin in the front court without Josh Martin and will lose Zach Gordon to graduation following this season. Having three guys who can play legitimate defense inside and give opposition big men varied looks will go a long way toward Cal Poly being a potential upset threat in the Big West Tournament. 

Two Pointers a key

I told someone earlier this year that I expected Cal Poly to shoot 25-35 three-pointers in games kind of often this year. Against CSUN, Joe Callero’s team shot just 7-18 from three-point range and didn’t make any in the second half, but still won a game that was not really in question at any point in the second half. 

In the end, Cal Poly shot 62 percent on two-point attempts and 54 percent overall. Sometimes, when you can get and make lots of good shots, well, you’re a tough team to beat. 

Photos by Owen Main – For more photos visit photos.fansmanship.com

Taking sports photos is a crapshoot wrapped in a outer shell of competence and preparation. Sometimes, you know a great shot’s coming. Other times, it’s a surprise until you get home. Different sports require varying skill levels and on Saturday night at Mott, two or three sweet plays and the resulting photos were some of the best of the year.

Photographer Ray Ambler is someone who has appeared on the Fansmanship Podcast and is at a ton of Cal Poly games. You can find his photos at RAPhotos.com. He pretty much dominates Arroyo Grande and Five Cities. We are always crossing paths, and I asked him to talk to me about what goes through his mind during any particular big play.

When the play comes right at you and you’re able to capture it in focus… that’s a good feeling. By Owen Main

His first thought on a play like the Josh Martin dunk on Saturday night is the same as mine:

Ray had everything right. The subject is in-focus and he got stayed with Martin all the way through. Sometimes, the play just doesn’t come straight at you like you’d like it to. By Ray Ambler – RAPhotos.com

“My first thought on a fast-break is, is this a dunk coming?” said Ambler. “Sometimes, you don’t have time to think, sometimes, it is telegraphed. I will be on the alley-oop guy coming down the court and then the dunker is sneaking and at the last moment, you realize what is going on. On those… hit the button and pray.”

On the Martin fast-break dunk. David Nwaba dribbled quickly into the front court. Because it’s easier to capture a rim attack with a portrait-style photo, I usually turn my camera when there’s an impending drive. Ambler has a full-frame sensor, so he doesn’t have to.

“On the Josh Martin dunk last night. I thought Dave was going in,” said Ambler. “At the last minute, the ref stepped in my way and I missed the pass between the legs, but I was able to react to Josh’s reaction — Except he went the wrong way for me.”

I said “damn,” and peaked around the basket to see [Owen] standing in the bench corner. My first thought was, I bet Owen got it.”

While I deal with a cropped sensor (more zoomed-in), forcing me to shoot in portrait orientation, Ray had a full-frame one and was able to keep it in landscape orientation. It’s one of the several choices photographers have to make on every play. The more zoomed-in sensor has been effective when it comes to sports like football, baseball, and soccer, but isn’t ideal for things like basketball.

Ray’s positioning for Jaylen Shead’s dunk was a clear winner. By Ray Ambler – RAPhotos.com

Once you take the photos of the play, and hopefully the reaction of both the crowd and players, the game eventually pauses.

“Then you go through your photos at the time-out,” said Ambler, who will often share and compare shots with me during a game.

Over time, the group of photographers forms a kind of informal competition to see who shot a play the best.

After I got the better of the Martin dunk, the tables turned when Shead went coast to coast. By Owen Main

“It’s fun. After Jaylen’ dunk last night, all three of us in the corner – Laura [Dickenson, from the Tribune], Matt [Yoon, from Cal Poly] and I all checked out each others’ angles. All of us got good shots of that one. It’s cool to see the different shots and who hit the button at exactly the right time. I think Laura really won that one.”

You can see Dickinson’s photos of the Shead dunk and the rest of the game here.

While I definitely got the better photo of the Martin dunk, Shead’s left-handed jam meant his face and front of his body were opened toward the corner with the other three photographers in it. The first half of the Cal Poly – Hawai’i game was a microchasm of what can happen when you choose to shoot from a little different angle.

Preparation

While focus, anticipation, and understanding of the game you’re shooting will all be crucial, the first big decision as a sports photographer is where to locate yourself. In basketball, sitting on the baseline can get monotonous. For this reason, I’ll sometimes move up to the top of Mott if there is room (or if my friends let me sit with them for a minute). From the top, you’re afforded a different view, which I got lucky with for this Josh Martin dunk against UC Irvine.

The Martin dunk against UCI with a varied vantage point. By Owen Main

I was only in that seat for about three minutes, but I got an awesome shot — and moved along.

What are you thinking?

Knowing the game helps a lot. In football, being able to anticipate a quarterback pitch in Cal Poly’s triple-option offense is crucial. In volleyball, you might pick up on who the team is trying to set (Adlee VanWinden, for example). In baseball, being prepared for a steal or pick-off play can result in a great picture of a slide and tag, if you’re ready to point at the right thing.

In most sports, a referee or umpire can get in your way really easily. Usually, they’re trying to get the best look at the play and if you’re in TOO good position, sometimes all that ends up in your shot is blurry stripes.

On this sequence of a Zach Gordon alley-oop slam (left, Photos by Ray Ambler) in the first half of last week’s game, Ray was lucky that the official didn’t move to his right a little earlier, but the quick alley-oop can be the trickiest thing to shoot. Whenever your camera is moving quickly from one position to another, focus isn’t guaranteed.

In this case, the photos look OK when they aren’t that big, but they’re a little out of focus. I’m not bagging on Ray here either. I probably trash about 75 percent of the photos I take at a given game before editing about 50 percent of the ones I keep.

What about the game itself?

There wasn’t a ton to talk or write about after Cal Poly’s 75-60 loss to Hawai’i. The Mustangs once again looked like they could play right with a very good opponent and in the second half they once again had issues. You can catch Lucas Clark’s really good game story here or check-out Joe Callero’s post-game comments at the bottom of this post.

Thanks to Ray for contributing his photos and time. To view all of my photos from the game, please click here. 

Photo courtesy of Ray Ambler

On a random weekday afternoon, Ray Ambler sits in a high school athletic director’s office. It’s 3:30 — games start at about 4:00. Ray will be in the gym well past 8:00.

It’s not an atypical evening during the fall or winter season. If anyone sees more high school and college sporting events in a given calendar year, I don’t know who they are. Ray has been shooting Cal Poly athletics for four or five years now along with making himself the de-facto photographer for pretty much every parent who wants shots of their kid in action.

When I started on my journey toward being a photographer, there were lots of people who helped me figure out what I was doing. Ray was one of them. I was glad to catch him in a moment of semi-stillness for a half-hour podcast on his journey into photography and what it’s like to watch the games through a camera.